Recording a Cuatro Master…in a McDonalds

Raul Landaeta & his daughter Vanessa performed for us in a quiet dining area at the popular fast food chain in Port-of-Spain!

We had arranged for a meeting with cuatro maestro Raul Landaeta at the Venezuelan embassy in Port-of-Spain, Trinidad. The plan was to record an interview with him about the cuatro and have him show us a few things, maybe play a few songs. But we made one silly mistake. We didn’t check to see if the embassy had a dress code. Of course they did have a policy in place, and with temperatures over 90 degrees in the capital city that day, all three of us were in shorts, which was one of the things they didn’t allow in the embassy.

So we walked a few blocks in Port-of-Spain, looking for possible places to play some music, and found that the top floor of the local McDonalds restaurant was empty, air-conditioned, and pretty quiet! We asked to speak to a manager, who was more than happy to help, and just like that: we had the perfect spot to record Raul and his daughter Vanessa, who was accompanying him on the violin.

Here’s one of the songs we recorded, “El Pajarillo,” which really shows off the technical skill of young Vanessa, and the unbelievable talent of a cuatro maestro at work.

Behind the Scenes | Nepal

Shooting 16mm film in Kathmandu

Simply put, I am never going to travel abroad again without the Canon Scoopic in my bag. Sure, it’s by far the heaviest part of my gear, weighing in around 8 pounds, not including the strange battery charger. But it’s worth it. And with Kodak re-releasing their beautiful Ektachrome stock this past year, I’ve never been more excited to shoot motion picture film!

In Kathmandu, we woke up just after sunrise and hit the streets around Patan Durbar Square, trying to capture life in the morning of this unique part of the city. Using wild sound we recorded with the Zoom H6, I was able to cut together the below short video. The music was performed for us by local musicians in a bar in Thamel.

I also shot a couple of 100 ft loads of color film, of which we are currently using in the longer documentary film about the music of Nepal. Shout-out to the best lab in the world, Cinelab, who have been processing and scanning my adventures in film since I was a grad film student at Boston University. (It’s been awhile.)